Episode 31 - Brenda Avila-Hanna - “Pueblos”
Photo Credit: Craig Hanna
[image Description: Brenda is pictured from the chest up and has black shoulder length and light brown skin. She wears a dark green tank top and a necklace with a multi-colored star charm. She stands before a background filled with green foliage and bright pink flowers.]
In this episode, I speak with Mexican filmmaker and Co-Director of Video Consortium Mexico, Brenda Avila-Hanna. During our conversation, we chat about her latest feature project Libertad, the professional needs of Mexican content creators outside of urban strongholds such as Mexico City, the immigration conversation that’s happening or actually not happening in Mexico, and the educational distribution co-op New Days Films. The song for this week’s episode is PUEBLOS, by Lila Downs and Sara Currichich. The song speaks about Indigenous solidarity and strength without borders. Currichich is Guatemalan and Downs is Mexican-American with roots in Oaxaca, which feels particularly resonant to Libertad and many other themes of transnational solidarity addressed throughout the episode. As a plus, one of Libertad's Producers and DP's, Casandra Casasola, is the DP for the video to this song. Casandra is a Mexican, Indigenous (Mixteca) filmmaker.
Episode 30 - Ina Fichman - “Hallelujah”
Photo Credit: Ina Fichman
[Image Description: Ina is pictured from the neck up. She has shoulder-length dirty blond hair and wears a white v-neck top with a black jacket. She wears gold and diamond earrings and a gold necklace with black and gold accents.]
In this episode, I speak with Canadian producer extraordinaire, Ina Fichman. During our conversation, we chat the nuts, bolts, and knowledge needed to be a great international co-production partner, her work with the Documentary Organization of Canada, and the specific steps the organization took to ease some of the stress of pandemic for Canadian filmmakers. We also discuss some of her most recent work on the films such as Laila at the Bridge, Stray, and The Gig Is Up, and her ongoing support of Palestinian filmmakers. For this episode, Ina chose a masterpiece written by her fellow Canadian Leonard Cohen, “Hallelujah.” Regarding the meaning of the song, Leonard Cohen said:
“This world is full of conflicts and full of things that cannot be reconciled. But there are moments when we can… reconcile and embrace the whole mess, and that’s what I mean by ‘Hallelujah’.
The song explains that many kinds of hallelujahs do exist, and all the perfect and broken hallelujahs have equal value. It’s a desire to affirm my faith in life, not in some formal religious way but with enthusiasm, with emotion.”
When one looks at Ina’s body of work, it is clear that documentary is the medium she has chosen to find meaning and reconcile the many contradictions that we face in life.
Episode 29 - Ann Kaneko & Jin Yoo-Kim - “We Are the Children”
Photo Credit: Todd Gray
[Image Description: Ann is pictured from the chest up. She wears a black, long-sleeved top and a gold necklace. Her black hair is cut into a short bob and her head is titled slightly to the side. She looks to the camera as she stands against a beige and white blurred background.]
Photo Credit: Jin Yoo-Kim
[Image Description: Jin is pictured from the chest up. She wears bright red lipstick and has shoulder lengthed black hair. She wears a graphic print shirt that has a black background with swirly, multi-colored shapes. She stands against a white background in front of some foliage.]
In this episode, I speak with director, producer, and writer Ann Kaneko and producer Jin Yoo-Kim about their latest project, Manzanar: Diverted: When Water Becomes Dust. We chat about Ann’s very impressive matchmaking skills, their work on K-Town ‘92 and their reflections of the 1992 Rebellion, and how they successfully weaved the stories of environmentalism, the Indigenous, and Japanese-Americans into a beautiful tapestry. This episode’s song is classic, “We are the Children” by Chris Iijima, Nobuko Miyamoto, and "Charlie" Chin. The song was one of the first bits of artistry that defined the Asian-American identity. And the chorus is a call for all of us to unapologetically embrace every aspect of our beings. It reads, Sing a song for ourselves, What have we got to lose, Sing a song for ourselves We’ve got the right to choose.”
Episode 27 - Ashley O’Shay - “Basquiat”
Photo Credit: Jameel Bridgewater
[Image Description: Ashley is pictured from the chest up. She stands against a black background, wears a black sleeveless top, gold hoop earrings, and makeup. Her black curly hair is shoulder length.]
In this episode, I speak with DP and director, Ashley O’Shay. We chat about the uniqueness of Chicago filmmakers, How she discovered her love for cinematography, her work on national brands, her work on Surviving R. Kelly, and her feature debut, Unapologetic, which centers queer Black women in the Black Lives Matter movement. Because we’ve got to show love for Chi-town and It’s so important for Black folks to both stand in our righteous rage and joy this week’s song is Jamila Woods’ “Basquiat” featuring Saba.
Episode 26 - Resita Cox - “What They Do”
Photo Credit: Eric D. Seales
[Resita is seated and pictured from the legs up. She sits in a wood director’s chair with a black canvas seat. She wears a long-sleeved black sweatshirt and jeans. Her curly hair is shoulder length. She wears several rings on her fingers. Her legs and hands are crossed. She has a big smile on her face.]
In this episode, I speak with journalist and filmmaker, Resita Cox. We chat about her local news career and why she decided to become a documentary filmmaker. We also discuss her latest project which is supported by Kartemquin Films, Freedom Hill a powerful film that celebrates Princeville, North Carolina, the first town incorporated by freed, enslaved Africans in America that is now suffering the impact of both environmental racism and climate change. Because Resita is a filmmaker who is not only true to her vision and her protagonists and in doing so, disrupts the status quo, the episode’s song is The Roots, “What They Do.”
Episode 25 - Matt Lauterbach, Grishma Shah, & Reveca Torres - “My Future”
Photo Credit: Ryan Gleeson
[Image Description: Matt is pictured from the chest up. He wears a plaid, white, tan, and black shirt over a black t-shirt and glasses. His hair, mustache, and beard, closely cropped. He stands against a brick and cement wall.]
In this episode, I speak with Matt Lauterbach, Grishma Shah, and Reveca Torres of All Senses Go. During our conversation, we chat about how their work with organizations and content creators ensures that media that is created is accessible for all, the accessibility changes the team would like to become the norm as we move into a post-Covid world, and how people with disabilities and their co-conspirators can work together effectively to make lasting, sustainable change that benefits us all. Because organizations like All Senses Go and others disrupt the notion that those who are labeled not mainstream need to seek outside validation, this episode’s song is Billie Eilish’s self-acceptance and self-love anthem, “My Future.”
Episode 24 - Abby Sun - “I Want to Break Free”
Photo Credit: the DocYard, Leah Astore
[Image Description: B&W photo. Abby stands on stage holding a microphone and book in front of an audience of onlookers in an auditorium. She wears dark shoes and a dark dress. There are two chairs and a screen behind her.]
In this episode, I speak with curator, Abby Sun about her work with the DocYard, an award-winning film and discussion series at the Brattle Theatre in Cambridge. We also chat about her work with Distribution Advocates, an organization committed to demystifying and transparency in distribution with the goal of creating a more ethical and equitable framework. Because ethical and equitable practices are rooted in liberation and require us to take actions that break us from the things that seem safe and stable, this episode’s song is Queen’s “I Want to Break Free.”
Episode 22 - Steven Eastwood & Elhum Shakerifar - “Cactus”
Photo Credit: Elhum Shakerifar
[image Description: Elhum is pictured from the neck up. She wears a teal blouse, a gold necklace, and glasses. She smiles at the camera. She is turned slightly to the side and black hair is swooped to the side.]
Photo Credit: Steven Eastwood
[Image Description: Steven is pictured from the chest up. He wears a teal flowered t-shirt. His head is turned slightly to the side.]
In this episode, I speak with UK-based artist-filmmaker Steven Eastwood and producer, Elhum Shakerifar about their collaborative work on the film ISLAND and how that work has shaped their thoughts on the exploration of death and dying in the time of COViD. We also chat about their current film and multiscreen installation the Neurocultures Project which not only centers on the neurodiverse experience but is being co-created with autistic artists. Because Steven, Elhum and the artists with whom they work center the diversity and complexity of the human experience, this week’s song is “Cactus” from the London-based neurodiverse funk band the Fish Police.
Episode 21 - April Dobbins - “No Agreement”
Photo Credit: Gabriela Williams
[Image Description: April is pictured from the neck up from the side as she glances into the camera. She wears a black and white floral top and a black and white paisley scarf with a hint of blue around her neck. Her hair is pulled back with a headband and she wears silver hoop earrings.]
In this episode, I speak with writer, photographer, educator, filmmaker, and proud mom, April Dobbins. During our conversation, we chat about her many, many, many artistic endeavors and the joys and challenges of making her first feature documentary, Alabamaland. Because we are so often defined by the situations to which we say, “Yes,” this week’s song, Fela Kuti’s “No Agreement” challenges us all to find power in small and large acts of resistance. Remember, “No,” is a complete sentence.
Episode 20 - Victoria Thomas - “Survivor”
[Image Description: Victoria is pictured from the torso up and sits in front of a starry, black background that is just out of focus. Her hair is slightly longer than shoulder length. She wears a red and black blouse and red lipstick. She smiles at the camera.]
In this episode, I speak with filmmaker and educator Victoria Thomas. In our conversation, we chat about her latest project, Born in New York, Raised in Paris, her teaching at the London Film School, the production company she founded, the Polkadot Factory, and the challenges of navigating a documentary and narrative film industry rooted in a white supremacist work culture that is resistant to change. Because just like many Black women, Victoria finds being in these spaces can be taxing and exhausting, to say the least, this episode’s song is Destiny Chid’s “Survivor.”
Episode 19 - Lindsey Dryden & Day Al-Mohamed - “Say My Name”
Photo Credit: Rachel Ellis
[Image Description: B&W photo. Day is pictured from the torso up. She sits on the ground with her dog, a light-colored Labrador retriever named Veni. Day has a pair of sunglasses on top of her head and wears a denim-like jacket over a dark-colored top. She wears a metal necklace as she looks at the camera.]
Photo Credit: Jo Irvine
[B&W photo. Lindsey is pictured from the chest up smiling with her body turned slightly as she faces the camera. She stands in an open field, her hair blowing in the wind. She wears a dark velvet-like top.]
In this episode, I speak with filmmaker Lindsey Dryden and filmmaker, novelist, and podcaster, Day Al-Mohamed. In our conversation, we chat about Day’s advocacy work in Washington, D.C., Lindsey’s work as a producer of the film Unrest, and the organization they co-founded with the Oscar-nominated director of Crip Camp, Jim Lebrecht and Alysa Nahmias, FWD-Doc. FWD-Doc is committed to empowering filmmakers with disabilities and part of that advocacy is being bold saying the words “disability” and “disabled.” With that said and the spirit of naming what is, is, this week’s song is Destiny Child’s “Say My Name.”
Episode 15 - Lillian Benson, A.C.E. - “Wanting Memories”
Photo Credit: William Stetz
[Image Description: Lillian is pictured from the torso up. She wears a dark brown button down shirt, red lipstick, hoop earrings, and a beaded necklace with a metal amulet. She sits in an empty theater with red chairs. She smiles at the camera.]
In the final episode of 2020, I speak with the director and editor, Lillian Benson. In our conversation, we talk about when she met the Civil Rights icon, Congressman John Lewis at the Academy Awards, the film she edited about his life, Get in the Way: The Journey of John Lewis, her documentary editing career, and her transition to the narrative world. Lillian’s commitment to integrity in her work and the telling Black stories is rooted in her keen sense of responsibility - a responsibility of truth-telling and of the reclamation buried and denied of histories. Because in all her work, she strives to help all of us remember who we truly are, this episode’s song is Ysaye M Barnwell’s “Wanting Memories.”
Episode 13 - Denise Hamilton - “We Shall Not Be Moved”
[Image Description: Denise Hamilton is pictured from the torso up. She was an aqua colored button down shirt, tortoise-shell glasses, and a black folded scarf around her head that has white lettering and pink, blue, and yellow graphics. She smiles slightly as her chin rest on her hand.]
In this episode, I speak with educator, filmmaker and former co-chairperson of BADWest: Black Association of Documentary Filmmakers - West, Denise Hamilton, In our conversation we talk about BADWest, her latest doc/interactive project Race Relay, and what it’s like to be educating the next generation of international documentary filmmakers at the New York Film Academy. Because Denise and her family has deep ties to the Black liberation movement that go all the way to Mary McLeod Bethune, the song for this episode is Mavis Staples rendition of the gospel classic, “We Shall Not Be Moved.”
Episode 9 - Claire Aguilar - “A Meeting in the Ladies Room”
[Image Description: Claire Aguilar is pictured from the shoulders up She stands in front of a screened window and a multicolored abstract painting. She smiles.]
In this episode, I speak with award-winning film curator, film festival director and television commissioning editor and broadcaster, Claire Aguilar about her career in documentary and her recent work with the American Film Showcase Pakistan. Because we first began working together, we always seem to run into each other to and fro from the restroom, this week’s song is Klymaxx’s R&B classic, “Meeting in the Ladies Room.”
Episode 6 - Lily Zepeda - “Waterfalls”
Photo Credit: Lily Zepeda
[Image description: Lily Zepeda pushes her hair back as she stands on a sidewalk. She wears a green top.]
In this week’s episode, I speak with Lily Zepeda, director, producer & writer of Mr. Toilet: The World’s #2 Man. Because she is a self-proclaimed of the child of the nineties, this week’s song is TLC’s “Waterfalls.”
Episode 5 - Ani Mercedes - “Money”
Photo Credit: Aymeé Cruzalegui
[Image description: Ani Mercedes smiles. She wears a black top.]
In this week’s episode, I speak with Ani Mercedes, CEO, Founder, & Impact Producer at Looky Looky Pictures. Because she’s a fearless hustler, this episode’s song is Cardi B’s “Money.”
Episode 3 - Godisamang Godi Khunou - "Lady"
Photo Credit: Leeroy Jason
[Image description: Godisaman Godi Khunou sits on a beige chair. She is shot from the torso up and has locs. She wears a white long sleeve shirt. Shadows fall across her face.]
In this episode, I speak with Godisamang Godi Khunou founder of Mogale Pictures, a production company dedicated to creating content from the Pan African and Pro African Feminism perspective. Because she is in late development on her first film Black Women & Sex, this week’s song is Hugh Masekela’s remake of the Fela Kuti classic “Lady.”
Episode 2 - Emily Cohen Ibañez & Ashley Solis Pavon - "It Takes Two"
Photo Credit: Andrew Kemmis Photography
[Image description: Ashley Solis Pavon sits in a chair. She wears a grey sweater and blue jeans. Emily Cohen-Ibañez sits next to her on the arm of the chair to Ashley’s right. She wears a beige sweater, a burgundy blouse, and blue jeans. The background is black.]
In this episode, I speak with director/writer, Emily Cohen Ibañez, and protagonist/writer Ashley Solis Pavon about their upcoming project Fruits of Labor and what it’s like to collaborate on the filmmaking process. Like Rob Base and DJ EZ Rock say, “It Takes Two.” I spoke with them at the 2020 Big Sky Documentary Film Festival.
Episode 1 - Tracy Rector - "I'm Every Woman"
Photo Credit: Petter Cohen
[Image Description: A black and white photo of Tracy Rector. Her head is turned slightly to the left and her hands are in her pockets. She wears a dark-colored coat and dress. The background is made up of gauzy materials of varying textures.]
In this episode, I speak with Choctaw/Seminole co-founder of Longhouse Media, Tracy Rector about her filmmaking, her new gig with Nia Tero and, her mentorship with the 4th World Indigenous Media Lab. With everything that she does, like Chaka Khan and Whitney Houston, Tracy’s informal mantra should be “I’m Everywoman.” I spoke with her at the 2020 Big Sky Documentary Film Festival.
Coming Soon - Ivy & Ivan McDonald - “Love on the Ground”
Photo Credit: Jourdan Christopher
[Image Description: Ivan is seated and Ivy stands next to him against a black background. Ivan wears glasses, a black t-shirt, and a black shirt with white, yellow, and green flowered print. ivy wears a white shirt that is printed with oranges, bananas, mangos, lemons, and coconuts. They are both looking directly to into the camera.]
In this episode, I speak with the brother and sister, Blackfeet filmmaking team, Ivy & Ivan McDonald. During our conversation, we chat about Ivy’s journey to filmmaking, Ivan’s work as an activist and social worker, their living in Montana, and their commitment to honoring Missing and Murdered Indigenous Women (MMIW). Ivy and Ivan have been busy filming When We Were Here this summer and when dealing with such a heavy topic one might need to add a little levity to one’s life, this episode’s song is Cannons’ “Love on the Ground” because it’s Ivy’s new summer jam.