Episode 38 - Jacquil Constant - “That’s How I Knew”
Photo Credit: Jerome Thomas
[Image Description: Jacquil is pictured from the chest up. He wears a beige Kangol cap and a yellow and white patterned shirt over a white t-shirt. He smiles. His head is turned slightly to the side.]
In this episode, I speak with a friend, filmmaker, and professor, Jacquil Constant. During our conversation, we chat about our time working on Bridging the Divide: Tom Bradley and the Politics of Race, BADWest, and his documentary short, Haiti is a Nation of Artists. We also talk about his Haitian heritage and the festival he founded which is now in its seventh year, the Haiti International Film Festival - how he started it and how it has grown even during the past few pandemic years. Starting a film festival from scratch is no small feat and Jacquil is truly a man with a vision, that’s why this episode’s song is Nipsey Hussell’s “That’s How I Knew.” Our conversation was recorded in January 2022.
Episode 27 - Ashley O’Shay - “Basquiat”
Photo Credit: Jameel Bridgewater
[Image Description: Ashley is pictured from the chest up. She stands against a black background, wears a black sleeveless top, gold hoop earrings, and makeup. Her black curly hair is shoulder length.]
In this episode, I speak with DP and director, Ashley O’Shay. We chat about the uniqueness of Chicago filmmakers, How she discovered her love for cinematography, her work on national brands, her work on Surviving R. Kelly, and her feature debut, Unapologetic, which centers queer Black women in the Black Lives Matter movement. Because we’ve got to show love for Chi-town and It’s so important for Black folks to both stand in our righteous rage and joy this week’s song is Jamila Woods’ “Basquiat” featuring Saba.
Episode 26 - Resita Cox - “What They Do”
Photo Credit: Eric D. Seales
[Resita is seated and pictured from the legs up. She sits in a wood director’s chair with a black canvas seat. She wears a long-sleeved black sweatshirt and jeans. Her curly hair is shoulder length. She wears several rings on her fingers. Her legs and hands are crossed. She has a big smile on her face.]
In this episode, I speak with journalist and filmmaker, Resita Cox. We chat about her local news career and why she decided to become a documentary filmmaker. We also discuss her latest project which is supported by Kartemquin Films, Freedom Hill a powerful film that celebrates Princeville, North Carolina, the first town incorporated by freed, enslaved Africans in America that is now suffering the impact of both environmental racism and climate change. Because Resita is a filmmaker who is not only true to her vision and her protagonists and in doing so, disrupts the status quo, the episode’s song is The Roots, “What They Do.”
Episode 21 - April Dobbins - “No Agreement”
Photo Credit: Gabriela Williams
[Image Description: April is pictured from the neck up from the side as she glances into the camera. She wears a black and white floral top and a black and white paisley scarf with a hint of blue around her neck. Her hair is pulled back with a headband and she wears silver hoop earrings.]
In this episode, I speak with writer, photographer, educator, filmmaker, and proud mom, April Dobbins. During our conversation, we chat about her many, many, many artistic endeavors and the joys and challenges of making her first feature documentary, Alabamaland. Because we are so often defined by the situations to which we say, “Yes,” this week’s song, Fela Kuti’s “No Agreement” challenges us all to find power in small and large acts of resistance. Remember, “No,” is a complete sentence.
Episode 20 - Victoria Thomas - “Survivor”
[Image Description: Victoria is pictured from the torso up and sits in front of a starry, black background that is just out of focus. Her hair is slightly longer than shoulder length. She wears a red and black blouse and red lipstick. She smiles at the camera.]
In this episode, I speak with filmmaker and educator Victoria Thomas. In our conversation, we chat about her latest project, Born in New York, Raised in Paris, her teaching at the London Film School, the production company she founded, the Polkadot Factory, and the challenges of navigating a documentary and narrative film industry rooted in a white supremacist work culture that is resistant to change. Because just like many Black women, Victoria finds being in these spaces can be taxing and exhausting, to say the least, this episode’s song is Destiny Chid’s “Survivor.”
Episode 16 - Elegance Bratton & Chester Argenal Gordon - “Solid”
Photo Credit:
[Image Description: Chester and Elegance stand next either in front of a reddish, brick wall. A window reflects the image of brick wall across from them. Chester wears a long black coat his had is turned slightly to look at Elegance. Elegance wears a knit cap, sun glasses, and a long, tan coat. He looks into the camera. They both have their hands in their pockets.]
In this episode, I speak with writer and director Elegance Bratton and producer and costume designer Chester Argenal Gordon. In our conversation, we chat about how they met, their latest documentary project Pier Kids. and the joys and strength needed to stay true to themselves and their protagonists’ stories and voices. Because they are my favorite power couple, this episode’s song is Ashford & Simpson’s classic, “Solid as a Rock.”
Episode 15 - Lillian Benson, A.C.E. - “Wanting Memories”
Photo Credit: William Stetz
[Image Description: Lillian is pictured from the torso up. She wears a dark brown button down shirt, red lipstick, hoop earrings, and a beaded necklace with a metal amulet. She sits in an empty theater with red chairs. She smiles at the camera.]
In the final episode of 2020, I speak with the director and editor, Lillian Benson. In our conversation, we talk about when she met the Civil Rights icon, Congressman John Lewis at the Academy Awards, the film she edited about his life, Get in the Way: The Journey of John Lewis, her documentary editing career, and her transition to the narrative world. Lillian’s commitment to integrity in her work and the telling Black stories is rooted in her keen sense of responsibility - a responsibility of truth-telling and of the reclamation buried and denied of histories. Because in all her work, she strives to help all of us remember who we truly are, this episode’s song is Ysaye M Barnwell’s “Wanting Memories.”
Episode 13 - Denise Hamilton - “We Shall Not Be Moved”
[Image Description: Denise Hamilton is pictured from the torso up. She was an aqua colored button down shirt, tortoise-shell glasses, and a black folded scarf around her head that has white lettering and pink, blue, and yellow graphics. She smiles slightly as her chin rest on her hand.]
In this episode, I speak with educator, filmmaker and former co-chairperson of BADWest: Black Association of Documentary Filmmakers - West, Denise Hamilton, In our conversation we talk about BADWest, her latest doc/interactive project Race Relay, and what it’s like to be educating the next generation of international documentary filmmakers at the New York Film Academy. Because Denise and her family has deep ties to the Black liberation movement that go all the way to Mary McLeod Bethune, the song for this episode is Mavis Staples rendition of the gospel classic, “We Shall Not Be Moved.”
Episode 1 - Tracy Rector - "I'm Every Woman"
Photo Credit: Petter Cohen
[Image Description: A black and white photo of Tracy Rector. Her head is turned slightly to the left and her hands are in her pockets. She wears a dark-colored coat and dress. The background is made up of gauzy materials of varying textures.]
In this episode, I speak with Choctaw/Seminole co-founder of Longhouse Media, Tracy Rector about her filmmaking, her new gig with Nia Tero and, her mentorship with the 4th World Indigenous Media Lab. With everything that she does, like Chaka Khan and Whitney Houston, Tracy’s informal mantra should be “I’m Everywoman.” I spoke with her at the 2020 Big Sky Documentary Film Festival.