Episode 38 - Jacquil Constant - “That’s How I Knew”
Photo Credit: Jerome Thomas
[Image Description: Jacquil is pictured from the chest up. He wears a beige Kangol cap and a yellow and white patterned shirt over a white t-shirt. He smiles. His head is turned slightly to the side.]
In this episode, I speak with a friend, filmmaker, and professor, Jacquil Constant. During our conversation, we chat about our time working on Bridging the Divide: Tom Bradley and the Politics of Race, BADWest, and his documentary short, Haiti is a Nation of Artists. We also talk about his Haitian heritage and the festival he founded which is now in its seventh year, the Haiti International Film Festival - how he started it and how it has grown even during the past few pandemic years. Starting a film festival from scratch is no small feat and Jacquil is truly a man with a vision, that’s why this episode’s song is Nipsey Hussell’s “That’s How I Knew.” Our conversation was recorded in January 2022.
Episode 35 - Laura van Halsema - “Chelas City”
Photo Credit: Caroline Westdijk
[Image Description: Laura, a white woman with short blond hair, is pictured from the torso up. She wears a dark-colored button-down shirt and hoop earrings. She has a slight smile on her face.]
In this episode, we continue our celebration of the 2021 edition of IDFA as I chat with the Senior Programmer of the festival, Laura van Halsema. We talk about how she got into docs, her nearly 20 years with IDFA, and take a deep dive into the unConscious Bias Focus program at the festival this year. The song for this episode is from the film Chelas Nha Kha which is part of the unConscious Bias strand and is entitled “Chelas City,” music by Bataclan 1950 and lyrics by Baguera, Islu, and Gohu. The film is a collaboration between Bagabaga Studios and Batalan 1950 is about the people and kids growing up in Chelas which is a neighborhood in Lisbon. During our conversation, we spoke about the anthropologist Clifford Geertz’s concept of the “webs of influence.” Laura thought of this film and about the filmmakers who live in that area as they learn to define for themselves their own realities. The first love of Bataclan 1950 is making music which is prominently featured in the film. Here is our conversation which was recorded in November 2021.
Episode 11 - Brigid O’Shea - “Down Under”
Photo Credit: Susan Jennichen
[Image Description: Brigid, a white woman with long brown hair swept to one side, is pictured from the torso up. She wears a white t-shirt and black coat. She smiles at the camera. The dark colored brick background is slightly out of focus.]
In this episode, I speak with the Head of Dok Industry Programme at Dok Leipzig and founder of the Documentary Association of Europe (DEA), Brigid O’Shea about what brought the Australian transplant to Germany and the upcoming festival, the oldest documentary festival in the world. Because she is an Aussie, this week’s song is Men at Work’s “Down Under.”
Episode 10 - Jamie Starboisky - “Live Your Life Be Free”
Photo Credit: Jamie Starboisky [Image Description: Jaime stands against a red brick wall. He has a beard and wears a black sleeveless sweater with white heats, spades, diamonds and a red button shirt.]
In this episode, I speak with director, creative producer, writer Jaime Starboisky about the Queer Media Film Festival and his virtual reality project, Therese & Peta: A Tale of Two-Spirits. In 1991, the two protagonists of the project, Therese & Peta, did a road trip back to Peta’s home on the Pine Ridge Reservation. Because in conversations with Jaime, Peta described that time as a moment they felt free, this week’s song is Belinda Carlisle’s “Live Your Life Be Free.”
Episode 8 - Fallon Young - “Walking to New Orleans”
(Image Description: Fallon Young stands slightly to the side and smiles at the camera. She has red hair and wears a black dress that has a black and gold design, and a gold necklace.)
In this episode, I speak with Fallon Young, Executive Director of the New Orleans Film Society about the plans for the New Orleans Film Festival and other programs in the time of COVID-19, “regional” documentary filmmakers, the George Floyd Uprising, and the specific, anti-racism remedies that are being put into place. Since the motto of the Crescent City is, “Laissez les bon temps rouler,” and there is no better place to be, just let the late, great Fats Domino take you there with the classic song, “I’m Walking to New Orleans.”