Episode 38 - Jacquil Constant - “That’s How I Knew”
Photo Credit: Jerome Thomas
[Image Description: Jacquil is pictured from the chest up. He wears a beige Kangol cap and a yellow and white patterned shirt over a white t-shirt. He smiles. His head is turned slightly to the side.]
In this episode, I speak with a friend, filmmaker, and professor, Jacquil Constant. During our conversation, we chat about our time working on Bridging the Divide: Tom Bradley and the Politics of Race, BADWest, and his documentary short, Haiti is a Nation of Artists. We also talk about his Haitian heritage and the festival he founded which is now in its seventh year, the Haiti International Film Festival - how he started it and how it has grown even during the past few pandemic years. Starting a film festival from scratch is no small feat and Jacquil is truly a man with a vision, that’s why this episode’s song is Nipsey Hussell’s “That’s How I Knew.” Our conversation was recorded in January 2022.
Episode 29 - Ann Kaneko & Jin Yoo-Kim - “We Are the Children”
Photo Credit: Todd Gray
[Image Description: Ann is pictured from the chest up. She wears a black, long-sleeved top and a gold necklace. Her black hair is cut into a short bob and her head is titled slightly to the side. She looks to the camera as she stands against a beige and white blurred background.]
Photo Credit: Jin Yoo-Kim
[Image Description: Jin is pictured from the chest up. She wears bright red lipstick and has shoulder lengthed black hair. She wears a graphic print shirt that has a black background with swirly, multi-colored shapes. She stands against a white background in front of some foliage.]
In this episode, I speak with director, producer, and writer Ann Kaneko and producer Jin Yoo-Kim about their latest project, Manzanar: Diverted: When Water Becomes Dust. We chat about Ann’s very impressive matchmaking skills, their work on K-Town ‘92 and their reflections of the 1992 Rebellion, and how they successfully weaved the stories of environmentalism, the Indigenous, and Japanese-Americans into a beautiful tapestry. This episode’s song is classic, “We are the Children” by Chris Iijima, Nobuko Miyamoto, and "Charlie" Chin. The song was one of the first bits of artistry that defined the Asian-American identity. And the chorus is a call for all of us to unapologetically embrace every aspect of our beings. It reads, Sing a song for ourselves, What have we got to lose, Sing a song for ourselves We’ve got the right to choose.”
Episode 15 - Lillian Benson, A.C.E. - “Wanting Memories”
Photo Credit: William Stetz
[Image Description: Lillian is pictured from the torso up. She wears a dark brown button down shirt, red lipstick, hoop earrings, and a beaded necklace with a metal amulet. She sits in an empty theater with red chairs. She smiles at the camera.]
In the final episode of 2020, I speak with the director and editor, Lillian Benson. In our conversation, we talk about when she met the Civil Rights icon, Congressman John Lewis at the Academy Awards, the film she edited about his life, Get in the Way: The Journey of John Lewis, her documentary editing career, and her transition to the narrative world. Lillian’s commitment to integrity in her work and the telling Black stories is rooted in her keen sense of responsibility - a responsibility of truth-telling and of the reclamation buried and denied of histories. Because in all her work, she strives to help all of us remember who we truly are, this episode’s song is Ysaye M Barnwell’s “Wanting Memories.”
Episode 13 - Denise Hamilton - “We Shall Not Be Moved”
[Image Description: Denise Hamilton is pictured from the torso up. She was an aqua colored button down shirt, tortoise-shell glasses, and a black folded scarf around her head that has white lettering and pink, blue, and yellow graphics. She smiles slightly as her chin rest on her hand.]
In this episode, I speak with educator, filmmaker and former co-chairperson of BADWest: Black Association of Documentary Filmmakers - West, Denise Hamilton, In our conversation we talk about BADWest, her latest doc/interactive project Race Relay, and what it’s like to be educating the next generation of international documentary filmmakers at the New York Film Academy. Because Denise and her family has deep ties to the Black liberation movement that go all the way to Mary McLeod Bethune, the song for this episode is Mavis Staples rendition of the gospel classic, “We Shall Not Be Moved.”