Episode 29 - Ann Kaneko & Jin Yoo-Kim - “We Are the Children”
Photo Credit: Todd Gray
[Image Description: Ann is pictured from the chest up. She wears a black, long-sleeved top and a gold necklace. Her black hair is cut into a short bob and her head is titled slightly to the side. She looks to the camera as she stands against a beige and white blurred background.]
Photo Credit: Jin Yoo-Kim
[Image Description: Jin is pictured from the chest up. She wears bright red lipstick and has shoulder lengthed black hair. She wears a graphic print shirt that has a black background with swirly, multi-colored shapes. She stands against a white background in front of some foliage.]
In this episode, I speak with director, producer, and writer Ann Kaneko and producer Jin Yoo-Kim about their latest project, Manzanar: Diverted: When Water Becomes Dust. We chat about Ann’s very impressive matchmaking skills, their work on K-Town ‘92 and their reflections of the 1992 Rebellion, and how they successfully weaved the stories of environmentalism, the Indigenous, and Japanese-Americans into a beautiful tapestry. This episode’s song is classic, “We are the Children” by Chris Iijima, Nobuko Miyamoto, and "Charlie" Chin. The song was one of the first bits of artistry that defined the Asian-American identity. And the chorus is a call for all of us to unapologetically embrace every aspect of our beings. It reads, Sing a song for ourselves, What have we got to lose, Sing a song for ourselves We’ve got the right to choose.”
Episode 18 - Chloë Walters-Wallace - “Take Me Home, Country Road/West Jamaica”
Photo Credit: Aura Aura
[Image Description: Chloë is pictured from the neck up as she looks straight into the camera. She wears a black top and black and gold earrings. Her hair is an Afro parted on the side.]
In the this episode, I speak with Firelight Media’s Manager of Artists Programs, Chloë Walters-Wallace. In our conversation, we chat about what got her started in the documentary field, her work at the Tribeca Film Institute and the New Orleans Film Society, and some of Firelight’s new initiatives for BIPOC filmmakers. Because she is originally from Jamaica, this episode’s song is Toots & the Maytals, “Take Me Home, Country Road/West Jamaica.”
Episode 16 - Elegance Bratton & Chester Argenal Gordon - “Solid”
Photo Credit:
[Image Description: Chester and Elegance stand next either in front of a reddish, brick wall. A window reflects the image of brick wall across from them. Chester wears a long black coat his had is turned slightly to look at Elegance. Elegance wears a knit cap, sun glasses, and a long, tan coat. He looks into the camera. They both have their hands in their pockets.]
In this episode, I speak with writer and director Elegance Bratton and producer and costume designer Chester Argenal Gordon. In our conversation, we chat about how they met, their latest documentary project Pier Kids. and the joys and strength needed to stay true to themselves and their protagonists’ stories and voices. Because they are my favorite power couple, this episode’s song is Ashford & Simpson’s classic, “Solid as a Rock.”
Episode 8 - Fallon Young - “Walking to New Orleans”
(Image Description: Fallon Young stands slightly to the side and smiles at the camera. She has red hair and wears a black dress that has a black and gold design, and a gold necklace.)
In this episode, I speak with Fallon Young, Executive Director of the New Orleans Film Society about the plans for the New Orleans Film Festival and other programs in the time of COVID-19, “regional” documentary filmmakers, the George Floyd Uprising, and the specific, anti-racism remedies that are being put into place. Since the motto of the Crescent City is, “Laissez les bon temps rouler,” and there is no better place to be, just let the late, great Fats Domino take you there with the classic song, “I’m Walking to New Orleans.”